Montserrat is an island located in the Lesser Antilles, in the West Indies. It was discovered and named Santa Maria de Montserrat in 1493 by Christopher Columbus, while on his second voyage. It is now a British possession, and much of it has been rendered uninhabitable by a volcanic eruption that began in 1995 which buried its capital city under 40 feet of mud (along with doing other awful things). This page isn’t about this Montserrat. We were in Spain, which is nowhere near this island. There is, however, another Montserrat (in Spain), the one Columbus had in mind when he came up with the island’s name.

Montserrat is Catalan for “serrated mountain”, the meaning of which becomes obvious with a glance at the place. Montserrat is a mountain, 30 minutes or so northwest of Barcelona, whose highest peak, at 4055 feet, is not extravagantly tall as mountain peaks go. However, it rises sharply from its surroundings, and has been eroded into many sharp, rocky peaks, making for unusually impressive scenery. And this being Spain, the unusual scenery makes for legends. One legend says the mountain was carved into its present form by angels. Geologists have a different legend, one having to do with erosion and conglomerate rocks. Feel free to pick whichever legend you prefer.

Another legend has to do with a carved wooden figure of the Virgin and Child, known as the Virgin of Montserrat. It is said this figure was originally carved by St. Luke in the first Century A.D. It somehow found its way to Spain and was hidden in a cave to protect it from the Moors. According to the legend, some shepherd children in the year 880 saw a "great light" in the area, and investigation led to the discovery of the figure. An attempt was made to carry the figure to a nearby town, but the figure is said to have become very heavy. This was taken as a sign that the figure didn’t want to leave, so they put it down and built a Benedictine monastery around it, up on the mountain. This is where the figure remains.

The Virgin of Montserrat is made of very dark wood, and is sometimes called "the Black Madonna". The darkness of the wood is apparently related to its great age. Scientists, intent on messing with perfectly good legends, have carbon-dated the figure to the 12th Century. Nevertheless, the Madonna is the object of great veneration, and people come from great distances to see it. If you were paying attention when you were looking at the pictures on the Barcelona Cathedral page, you may have noticed a picture of a side chapel devoted to the Virgin of Montserrat, featuring a copy of the original figure.

One historical item about Montserrat that is not disputed by anyone is the fact that the monastery was pretty much destroyed in the early 19th Century, during a visit by the troops of Napoleon. Nearly all the construction now seen in the area was performed in the 19th and 20th Centuries.

There are a few ways to get from Barcelona to Montserrat. We chose to take the train (one can also take a bus or drive). To visit the monastery, it’s most cost-effective to buy a package ticket, available at the tourist information booth in Plaça de Catalunya or in the train station at Plaça de Espanya (the Metro’s Espanya station). The tickets are also available online. The best package ticket includes the train trip to the vicinity of the mountain, transport up the mountain, a meal and admission to a couple of handy funiculars near the monastery. For the "transport up the mountain" part, there are two options: a cable car gondola ride (called the Aeri de Montserrat), or a ride on the Montserrat Rack Railway. We bought our tickets in the morning in the Plaça de Catalunya. At the time we bought them, they were sold out of the cable car option tickets, so we got tickets for the Rack Railway. We made our way to the train station and took our 40-minute train ride to the Montserrat area. We got off at the Monistrol de Monserrat station (there is a separate station for the Aeri de Montserrat) and found the Rack Railway to be waiting for us. We boarded the short, modern-looking train and were soon crawling up the mountainside. Eventually we were dumped out at the station near the monastery.

Boarding the Rack Railway Med   Lrg   Xlg	Waiting in the Rack Railway MP4-Sml   MP4-Med   WMV-HD
Climbing the Mountain MP4-Sml   MP4-Med   WMV-HD	Arrival Station Med   Lrg   Xlg

It’s hard to imagine a more spectacular place to put a monastery. There’s a beautiful view of the valley below, and the monastery itself is surrounded by gigantic pinnacles of rock.

Monastery and Rocks Med   Lrg   Xlg

Museum, Monastery and Rocks MP4-Sml   MP4-Med   WMV-HD

One hopes that the story about the angels carving the mountain is true, as some of the rocks overhang the monastery area, and some angelic intervention in holding them up could be a very valuable thing. But just in case, one also hopes there are some staff geologists keeping an eye on things.

We made our way to a large plaza in front of the monastery, where we paused to enjoy the view.

Bob and Monastery Med   Lrg	Train and Teleferic Stations with Valley Med   Lrg   Xlg
Nella Med   Lrg   Xlg	Arches and Statues Med   Lrg   Xlg
Rocks from Monastery Med   Lrg   Xlg	Cloister Med   Lrg   Xlg

Then we entered the main building and found ourselves in an area called the Sanctuary, which is sort of a cloister area surrounding an atrium. There were some tombs in the walls, and there was a long line of people waiting for something which we could not immediately determine.

Arches Above Entrance to Sanctuary Med   Lrg   Xlg

Tomb of Don Juan of Aragon Med   Lrg   Xlg

We entered the atrium and found ourselves facing the monastery’s basilica, the façade of which was elaborately carved (apparently by monks, way back in the 1950’s).

Basilica Façade Med   Lrg   Xlg

Clock, Basilica Façade Med   Lrg   Xlg

We entered the basilica and found it to be beautifully decorated, though some extensive scaffolding indicated that a fair amount of work was ongoing.

Basilica Interior Med   Lrg   Xlg	Basilica Interior, Virgin of Montserrat MP4-Sml   MP4-Med   WMV-HD
Basilica Interior Med   Lrg   Xlg	Lamps Med   Lrg   Xlg
Stained Glass - Holy Family, Flight to Egypt Med   Lrg   Xlg	Old Organ Med   Lrg   Xlg
New Organ Med   Lrg	Stained Glass - Anunciation Med   Lrg   Xlg
Saint with Dove Med   Lrg   Xlg	Lamp Med   Lrg   Xlg
Ceiling and Choir Med   Lrg   Xlg	Stained Glass - Coronation of the Virgin Med   Lrg   Xlg

Through a small window above and behind the main altar we could see the lady of the house, the Virgin of Montserrat Herself, with people passing in front of her, paying their respects. We deduced that this was the destination of all those people waiting in line in the Sanctuary, so we exited the church and joined the line.

The line wasn’t very fast-moving, but it eventually entered the church through a door to the right of the façade. The leisurely progress of the line gave us time to enjoy the chapels the line was passing through. There were chapels devoted to St. Peter, St. Martin and St. Ignatius of Loyola.

Bronze of St. Peter (Josep Viladomat, 1945) Med   Lrg   Xlg	Altarpiece of St. Joseph Calasantius (1891) Med   Lrg   Xlg
Altarpiece of St. Joseph Calasantius, detail Med   Lrg   Xlg	Chapel of St. Ignatius Med   Lrg   Xlg

St. Ignatius spent time in Montserrat in 1522 after being badly wounded in the Battle of Pamplona in 1521. He is said to have had a vision of the Virgin Mary here which helped to inspire his future endeavors, which were to include the founding of the Society of Jesus (the Jesuits). From the chapels, the line passed under an elaborate archway and up some stairs.

Angelic Door (Enric Monjo, 1946-54) Med   Lrg   Xlg

Angelic Door, detail Med   Lrg   Xlg

The passageway turned left and past some more decorations.

Nativity Painting (Josep Obiols) Med   Lrg   Xlg

Choir Boy Donation Box Med   Lrg   Xlg

The line soon went up some more stairs, and we were in a room that was lavishly decorated with gold mosaics, and found ourselves within arm’s reach of the Virgin of Montserrat. Except we couldn’t really reach her, as there was a glass wall in the way. But there was a round hole cut into the glass, and the orb held in the Virgin’s right hand was exposed to visitors. I’m not sure how it works, but people were rubbing the orb as they passed by. Maybe you’re supposed to rub it and wish for stuff. I didn’t figure this out until later, so I missed my chance (though I think Nella took advantage). It seemed sort of unsanitary.

The Virgin of Montserrat Med   Lrg   Xlg

The Virgin of Montserrat Med   Lrg

We took our leave of the Virgin and followed the path back down some stairs and to the right and found ourselves in a fairly large chapel located behind the Virgin’s perch. Again, there was a window behind the altar, through which we could see the Virgin (or her back anyway). This chapel was also nicely decorated. Apparently one of the assistants of the architect was a young Antoni Gaudí, who worked here in 1876.

Nella and Altar Med   Lrg   Xlg	Statue of St. George Med   Lrg   Xlg
Stained Glass Med   Lrg   Xlg	The Chapel Med   Lrg   Xlg

Eventually we exited the chapel and the church, finding ourselves in an alleyway called the Cami de l’Ave Maria, which featured large racks of lit candles. Additional candles are available for purchase if you want to add to the display.

Cami de l’Ave Maria Med   Lrg

Candles, Cami de l’Ave Maria Med   Lrg   Xlg

The end of the Cami de l’Ave Maria brought us back to the atrium facing the front of the church. We continued through the Sanctuary, back to the large plaza where we started. Then we started looking around to see what else Montserrat had to offer.