The top landmark in the city of Seville would have to be its cathedral. As stated in the page for the last time we'd visited, the Seville Cathedral (AKA Cathedral of St. Mary of the See) is the largest cathedral in Christendom. Also unfortunately appearing on that page is the half-correct statement that the cathedral is larger in volume than both St. Peter's Basilica in Rome and St. Paul's Cathedral in London. While it is comfortably larger than St. Paul's, it occupies just one-tenth of the volume of St. Peter's. However, it remains the world's largest cathedral, as St. Peter's (and the also-larger Basilica of the National Shrine of Our Lady of Aparecida, in Brazil) is not technically a cathedral, as it is not the seat of a bishop. In the realm of cathedrals, not far behind the Seville Cathedral is New York City's Cathedral of St. John the Divine (under construction since 1892; also known as St. John the Unfinished), followed by Milan's Duomo. But rankings aside, the Seville Cathedral is a really big church. It was built between 1401 and 1528 on the site of a gigantic mosque which had been repurposed for Christian worship since the Reconquista, but which had fallen into disrepair following some 14th Century earthquakes. Its bell tower, the Giralda, is a remnant of the mosque, having been adapted from the mosque's minaret by the addition of bells (duh) and some other stuff on the top. The Giralda is the unofficial symbol of the city of Seville.

Getting to the cathedral from our hotel involved a fair amount of walking, fortunately on the scenic side. We headed for the centrally-located Plaza Nueva, from which we followed the Avenida de la Constitución to the cathedral.

Edificio de La Adriática, Avenida de la Constitución Med   Lrg   Xlg

Cathedral/Alcazar Area Med   Lrg

The cathedral has no shortage of access points, being surrounded by fifteen doors, all of which are normally locked, if they open at all. Tourists must pay admission to enter, and there is only one place where this can be done, by the Prince's Doorway on the south side of the church.

Door of the Baptism Med   Lrg   Xlg

Door frame, Door of the Assumption Med   Lrg   Xlg

But along the Avenida de la Constitución we noticed a relatively unobtrusive door that appeared to be open, so we went in to investigate, and found ourselves inside the Iglesia del Sagrario. The Iglesia del Sagrario (Church of the Sanctuary) is a local parish church that happens to be enclosed by the same walls as the gigantic Seville Cathedral. In addition to its entrance door, it has a door (normally locked) that connects to the cathedral, and two (also normally locked) that exit into the cathedral's courtyard, the Patio de los Naranjos (Patio of the Orange Trees). The church was constructed between 1618 and 1662, and is extensively decorated, mainly in the baroque persuasion. We had no idea it was there, before we walked into it. It is probably large for a parish church, but would have to be considered an afterthought when compared to the cathedral. Nevertheless, the church's main altar is impressive, as are the many altars and chapels lining both of the church's sides. Lining the walls above the chapels are large statues of evangelists and "fathers of the church". If I had to guess, I would say the fathers are the ones wearing the funny hats – I don't remember hearing any stories about evangelists and funny hats. Maybe televangelists, but they wouldn't count.

Inside the Iglesia del Sagrario Med   Lrg	Main Altar (1665-69) Med   Lrg   Xlg
Main Altar Detail - St. Veronica Med   Lrg   Xlg	Main Altar Detail - Pieta Med   Lrg   Xlg
Chapel of Santa Bárbara (ca. 1680) Med   Lrg   Xlg	Chapel of San José (1694-98) Med   Lrg
Chapel of the Sacramental Brotherhood (1606) Med   Lrg	Right-Side Altarpiece - Immaculada Med   Lrg   Xlg

We exited the church and made our way around to the south side of the cathedral, on Plaza del Triunfo, where we found the Prince's Doorway and the entrance. After standing in line for a few minutes, we paid our admission fee and went in.

Faith Figure and Prince's Doorway Med   Lrg

Inside the Cathedral Med   Lrg

The most spectacular work of art displayed in the cathedral is probably the gigantic 66-foot altarpiece found in the cathedral's main chapel, or Capilla Mayor. Completed in 1564, it was the life's work of Flemish artist Pierre Dancart, and it is a sight to behold. Unfortunately, we weren't able to behold it, as the altarpiece was under restoration on this trip. The lower part of the altarpiece was behind plywood, and the rest was behind what appeared to be a huge plastic sheet with an unconvincing version of the altarpiece imprinted on it. But we did take some pictures of the altarpiece on our previous visit to Seville, so you should check that page for some idea of what it looks like. For what it's worth, the back side of the Capilla Mayor looked fine.

Main Chapel, Undergoing Renovation Med   Lrg   Xlg

Rear Wall of Main Chapel Med   Lrg

Directly across from the main chapel is the cathedral's choir, and while we couldn't actually enter it, we had a pretty good view of everything through the choir's grille. The choir was flanked by two immense 1901 pipe organs, which could be seen on both the inside and outside of the choir walls. On the outside, there was also an elaborate side entrance to the choir.

Above the Choir Med   Lrg	Choir Stalls Med   Lrg   Xlg
Candlestick Med   Lrg	Wooden Carvings and Organ MP4-Sml   MP4-Med   WMV-HD
Organ Med   Lrg	Wooden Carvings Below Organ Med   Lrg   Xlg
Wooden Carvings Outside Choir Med   Lrg   Xlg	Side Entrance to Choir Med   Lrg   Xlg

Distributed mostly along the outer walls of the cathedral are 80 chapels, mainly dedicated to an assortment of saints. Each chapel is a work of art on its own, with most sporting elaborately carved altarpieces. Often there are paintings as well, and sometimes there are tombs. Here are some photos of chapels and altars not covered on the last trip's web page (or at least not in exactly the same way):

Capilla de la Estrella (1566) Med   Lrg	Capilla de San Pablo (1656) Med   Lrg
Capilla de la Virgen de la Antigua - Christ Healing the Blind Med   Lrg	Altar of the Trascoro - Bust of Santa Justa (1619) Med   Lrg   Xlg
Altar de Plata (ca. 1700) Med   Lrg   Xlg	Small Altar Med   Lrg   Xlg
Santa Justa y Santa Rufina, Francisco de Goya (1817) Med   Lrg   Xlg	Capilla de San Francisco, Altarpiece of San Pedro Med   Lrg

The most celebrated tomb in the cathedral is that of Christopher Columbus. In this tomb, which dates from 1898, Columbus is borne on a stretcher by figures representing the four Spanish kingdoms of Castille, Aragon, León and Navarre. The previous Seville page discusses the centuries-long saga of Columbus's remains.

Tomb of Christopher Columbus Med   Lrg

Tomb of Columbus - Castile Bearer Med   Lrg   Xlg

As with any reputable cathedral, Seville's displays an impressive amount of stained glass.

Above Puerta de la Asunción Med   Lrg   Xlg	Santa Justa and Santa Rufina Protecting the Giralda Med   Lrg   Xlg
Stained Glass and Ceiling MP4-Sml   MP4-Med   WMV-HD	Highlights, Nella and Philip MP4-Sml   MP4-Med   WMV-HD

The cathedral also exhibits several highly valued objects in its Treasury (processional crosses, monstrances, reliquaries, etc.). The Treasury begins in the cathedral's Greater Sacristy and winds through a few additional rooms.

Large Monstrance Med   Lrg   Xlg	Candlestick Detail Med   Lrg
Silver Reliquary (16th-17th C.) and Lilies (18th C.) Med   Lrg	Santa Teresa de Jesús, Francisco de Zurbarán (1650) Med   Lrg   Xlg
Tray (Antwerp, 16th C.), Crosses (14th-16th C.) Med   Lrg	Urn and Stand for Holy Thursday (18th C.) Med   Lrg   Xlg

Also included in the price of admission is the opportunity to scale the cathedral's 344-foot Giralda. Nella was fatigued and had done this on our previous visit, so she waited in the cathedral while Philip and I made the climb. As on our previous visit, the view of Seville's old town was unsurpassed.

The Giralda Med   Lrg   Xlg	Giralda Diagram Med   Lrg
Cathedral Balcony Med   Lrg   Xlg	Parroquia de Santa Cruz de Sevilla Med   Lrg   Xlg
Roof, Buttresses and Bullring Med   Lrg   Xlg	The Roof Med   Lrg   Xlg
Archivo de Indias Med   Lrg   Xlg	The Alcázar Med   Lrg   Xlg

After descending, Philip and I found Nella and exited the cathedral into the Patio de los Naranjos, and from the courtyard we left the cathedral grounds by way of the Puerta del Perdón (Door of Forgiveness).

From the cathedral, we found some lunch and then crossed the Plaza del Triunfo to our next target for the day, Seville's Royal Alcázar.