The Almudena Cathedral is the cathedral church of the Madrid-Alcala Diocese. As Madrid has
been the capital of Spain since the royal court was moved there in 1561 by Philip II, one
might expect its principal church to be centuries old, and full of late Renaissance and
Baroque masterpieces. But this is not the case, largely because of Catholic politics. In
1561 Madrid was part of the Toledo Archdiocese, and for centuries the Toledo Archbishops
opposed any modification to this arrangement. Permission was finally granted to build a
large church, but not until late in the 19th Century. Work began on the church in 1879,
but was halted in the 1930's during the Spanish Civil War. Work didn't recommence until
1950, at which time it was resumed until 1965, when a dearth of funds caused another halt.
Sufficient money wasn't found until 1984, but at that time enough was collected to finally
complete the work. By this time the Madrid-Alcala Diocese had been created (by Pope Leo
XIII, in 1885), and the church was consecrated as its cathedral by Pope John Paul II in
1993.
Nella and Cathedral from Palacio Real
Nella and Cathedral from Palacio Real
Cathedral from Northwest
Bob and Western Entrance
Door Featuring Virgin and Child
Door Commemorating Consecration
While the outside has a neoclassical-baroque style (in an effort to make it more harmonious
with the Palacio Real across the way), the inside of the church was given a neogothic
design, with cavernous ceilings and pointed arches.
The Nave
High Altar, Nave and Organ
Organ
High Altar, Nave and Organ
Painting, Stained Glass and Vaulting
Stained Glass
Chapel with Nun
The Holy Trinity (Father, Son, Holy Spirit)
Stained Glass of Santa Maria de Atocha
While the vaulting in the interior resembles that of churches hundreds of years older,
most of the decorations are very much 20th Century. Some of the stained glass even has
a "pop art" style to it.
Ceiling Above Apse
In the Apse
Ceiling and Stained Glass
Apse and High Altar
High Altar
Ceiling Above Nave
Honeycombed Stained Glass
Door Featuring Virgin
Painted Tile of Maria Santisima de las Cruces
Dome and Transept Ceiling
Painted Ceiling Near Dome
The main exception to the modern embellishments is a shrine to the Virgen de la
Almudena, located at the right end of the transept. This consists of a statue
of the Virgin and Child, standing atop an elaborate silver platform from the 17th
Century and in front of a large altarpiece from the late 15th Century. A stairway
leads up to the Virgin, for those who wish to experience her at close range.
Stained Glass and Altar of Santa Maria
Altar of Santa Maria La Real de la Almudena
Altar of Santa Maria La Real de la Almudena
Altar of Santa Maria La Real de la Almudena
Located below the shrine is the simple tomb of Maria de las Mercedes, a Queen Consort
of Spain from the 19th Century. Maria was of royal blood (she was actually born in the
Palacio Real), and was chosen to marry King Alfonso XII (eventual honoree of the
monument at the Parque del Retiro lake), against the wishes of the king's mother,
the exiled Queen Isabella II. Shortly after the wedding it became clear that the young
queen had tuberculosis. She attempted to produce an heir anyway, but miscarried. She
died from the tuberculosis two days after her eighteenth birthday, less than six months
after the marriage. She was buried in the usual burial site for Spanish royalty, El
Escorial, a monastery-palace northwest of Madrid. But during her brief tenure as queen
she'd been involved in securing the property that was eventually used for the cathedral,
so her husband expressed the wish that she be buried there when it became feasible. It
took awhile, but she was eventually moved to the new tomb in November of 2000.
Maria de las Mercedes
Tomb of Maria de las Mercedes, Ceiling Above Apse
From the Cathedral we headed for the Opera Metro station, where we boarded a train
that took us to the Paseo del Prado, where we visited the
Thyssen-Bornemisza Museum, a museum
with an impressive collection ranging from the medieval to the modern. We'd show
you some of it, but they had a no-photography rule in 2005 which they still had in
2010, so you'll have to go to their website if you want to see it. But here are a
couple of pictures of the exterior, featuring promotional material for an
exhibition they were having at the time, devoted to Italian painter and frescoist
Domenico Ghirlandaio.
Museum and Ghirlandaio Banners
Nella at Museum Entrance
By this time it was evening, so we searched for food and found it at a McDonald's
not far from the museum.
Bob and Signpost
Neptune Fountain
McBanquet
We got back on the Metro and returned to the hotel to rest up for an excursion we'd
planned for the next day, a self-guided tour of the town of Ávila.